SOLO

 

at the Kandinsky Room

exhibition

1/0

FAITELSON

HELENA

Artist

UNITED STATES

©

Butterflies on Blooming Fields

Acrylic

NFS

I LOVE CREATING COMBINATIONS THAT MAY NOT EXIST

I LOVE CREATING COMBINATIONS THAT MAY NOT EXIST

 

In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided.  My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition.  After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore.  As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.  

I LOVE CREATING COMBINATIONS THAT MAY NOT EXIST

 

In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided.  My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition.  After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore.  As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.  

I LOVE CREATING COMBINATIONS THAT MAY NOT EXIST

 

In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided.  My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition.  After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore.  As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.  

 

In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided.  My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition.  After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore.  As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.  

Cat in Tropics

Bread with Jam

Fancy Cat

NFS

Acrylic

I LOVE CREATING COMBINATIONS THAT MAY NOT EXIST

Helena Faitelson

I LOVE CREATING COMBINATIONS THAT MAY NOT EXIST

Helena Faitelson

Helena Faitelson

HELENA

As a painting artist, I find inspiration in nature scenes like landscapes and mountain views,

In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided.  My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition.  After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore.  As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.  

 

In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided.  My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition.  After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore.  As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.  

DUCK_2MB_4615.jpg

HELENA

FAITELSON

Artist

UNITED STATES

OUR FIRM

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