SOLO
at the Kandinsky Room
exhibition
MASSEY
ANN JAMES
Artist
FRANCE
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©
The Blessing of the Animals

Oil
$180,000
AFTER TWENTY YEARS OF DRAWING AND TEACHING
AFTER TWENTY YEARS OF DRAWING AND TEACHING
In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided. My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition. After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore. As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.
AFTER TWENTY YEARS OF DRAWING AND TEACHING
In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided. My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition. After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore. As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.
AFTER TWENTY YEARS OF DRAWING AND TEACHING
In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided. My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition. After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore. As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.
In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided. My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition. After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore. As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.
The Connoisseur
The Marionette Shop
collection of Gail Darling
Oil
AFTER TWENTY YEARS OF DRAWING AND TEACHING
Ann James Massey
AFTER TWENTY YEARS OF DRAWING AND TEACHING
Ann James Massey
Ann James Massey
ANN JAMES
I created were well received, winning awards starting with the first exhibition. After twenty years of drawing lessons,
In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided. My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition. After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore. As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.
In 1970, my instructor at the El Paso Art Academy put a black wax pencil in my hand and my path in art was decided. My light touch and patience married perfectly with the medium, and the works I created were well received, winning awards starting with the first exhibition. After twenty years of drawing and teaching private lessons, I finally discovered the oil painting method I was searching for at the Schuler School of Fine Art in Baltimore. As with the Colored Pencil, this traditional handling of the materials and application inspired the same instinctive connection and subsequent recognition.
ANN JAMES
MASSEY
Artist
FRANCE
OUR FIRM
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